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&#13;
Alma remembers the early Las Vegas Westside peppered with little shacks with dirt floors, unpaved streets, and tiny trailer parks. She had expected more liberal attitudes concerning race relations than she found in Las Vegas. Nevertheless, the town’s burgeoning gaming industry provided opportunities to work and to make a good living. She and her husband (who worked at Nellis Air Force Base) purchased a beautiful home on the Westside and reared five children. They carved out a full life by enjoying and supporting the institutions on the Westside: the church and schools for her children, and the clubs of Jackson Street for the adults.&#13;
&#13;
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              <text>Amy Ayoub is a lifelong Las Vegan who combined her passion for public speaking and helping others to found The Zen Speaker, a public speaking coaching company. Amy helps clients on their journey to share their stories, find peace behind the podium, and move audiences to action. Amy has been appointed by various Nevada Governors and Senators to four state and federal commissions. She was the first female appointed to the Athletic Commission, better known as the boxing commission. In February 2013, she testified before the Nevada State Assembly and Senate Judiciary Committees, using her personally inspiring survivor story in support of Assembly Bill 67, which increased penalties for those convicted of sex trafficking. Her life story is one of resilience, inspiration and accomplishment and has prompted Culture Dog Films to create a recently-released documentary, The Zen Speaker: Breaking the Silence, that is resonating with anyone interested in turning their personal adversity into personal triumph.</text>
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&lt;p&gt;This resource is available for education and research purposes. This collection is a collaboration and combination of various projects including, but not limited to; the Women in Nevada History: A Legacy Digital Project, the &lt;a href="https://www.library.unlv.edu/speccol/collecting_strengths/nwa" target="_blank" rel="noopener"&gt;Nevada Women’s Archives&lt;/a&gt;, the &lt;a href="https://www.unlv.edu/wrin/research" target="_blank" rel="noopener"&gt;Las Vegas Women Oral History Project&lt;/a&gt; and the &lt;a href="http://makersteachingmodules.sites.unlv.edu/makerseries" target="_blank" rel="noopener"&gt;Makers: Women in Nevada History Project&lt;/a&gt;, a co-production of the &lt;a href="https://www.unlv.edu/wrin" target="_blank" rel="noopener"&gt;Women's Research Institute of Nevada&lt;/a&gt; and &lt;a href="https://video.vegaspbs.org/show/vegas-pbs-documentaries/collections/makers-women-nevada-history/" target="_blank" rel="noopener"&gt;VegasPBS&lt;/a&gt;. The text, images, audio and video in this collection are under copyright by different repositories and may not be reproduced without express written consent of the appropriate entities. &lt;span style="text-decoration: line-through;"&gt;&lt;/span&gt;&lt;/p&gt;&#13;
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&#13;
In 1951, she married fellow performer Bob Bailey, a singer and emcee. The couple lived in Anna mother’s basement. In 1955, the Baileys moved to Las Vegas, to open the Moulin Rouge Hotel and Casino.&#13;
&#13;
Just six months later, the Rouge closed, leaving both Anna and her husband, Bob, without work. The couple continued to work in show business, with Anna dancing on the Strip and on tour, and Bob hosting talk shows.&#13;
&#13;
Following the birth of her two children, Anna gave up dancing. The Baileys opened and operated several small nightclubs.&#13;
&#13;
This interview covers Anna’s experience as a dancer extensively, with her earliest performances through her retirement. She also describes race relations in Las Vegas, and the development of the Westside.</text>
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Kepper was equally as devoted to historic preservation outside of the university. She held numerous memberships in historic organizations, such as the Preservation Association of Clark County, the Southern Nevada Historical Society, Boulder City Museum and Historical Association, Nevada Historical Society, and the Nevada State Library Association. She was also active in the American Association for State and Local History, Intermountain Archivists, Society of California Archivists, and the National Trust for Historic Preservation, where she served as Nevada’s representative.&#13;
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In 1974, Kepper founded the Association of the Preservation of the Las Vegas Mormon Fort, which later became the Preservation Association of Clark County, serving as president from 1974-1979. Also, Kepper was a moving force in the relocation of historic downtown homes. Kepper coordinated Houssels House’s relocation to the UNLV campus for adaptive use as architectural studies classrooms. As advisor to the Junior League, Kepper aided in the restoration of pioneer businessman Will Beckley’s house at the Museum of Southern Nevada.&#13;
&#13;
In 1980, Kepper was recognized for her hard work as the recipient of the Distinguished Service Award from the Nevada Historical Preservation Conference. In 1982, she received the Certificate of Merit from the Southern Nevada Historical Society. Kepper was also honored by the Boulder City Museum and Historical Association for helping Boulder City gain entrance to the National Register as a historic site.&#13;
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Kepper died of cancer at fifty on December 20, 1983. UNLV posthumously awarded Kepper a Master’s of Public Administration for which she had passed her final comprehensive examination eighteen days prior to her death.</text>
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              <text>Born in the coal fields of Strunk, Kentucky, Audrey Aline Messer Wickman first visited the West at twelve years of age. She moved to western Colorado to help in her grandparents’ home for a couple of years. The stay made a lasting impression because she only returned to her birthplace for a short time after that. In Colorado, she graduated from high school, met her future husband, and married in 1925. They came to southern Nevada in 1932 so that Robert Wickman could find work on Hoover Dam.&#13;
&#13;
Audrey Wickman joined the Mesquite Club in 1936 and has remained a member to date. She started the Literary Committee as a forum to share book reviews and hear speakers. She served as President of the club for 1947-48 and chose the year’s theme “Know your Neighbor.” In the post-war society, women’s involvement in civic affairs was particularly needed, she told the membership at the opening fall meeting. “The troubles which unsettle the world today are primarily ones which lie within the sphere of women’s business. They are matters of housekeeping, teaching and health. . . . The time has come when we as a nation cannot stay in our own backyards. . . . If we are to be good world citizens, local, state and national, we must first be good home citizens. These responsibilities call for knowledge, an appreciation of other points of view, and attitudes of good will and cooperation.” (Las Vegas Review Journal, 6 October 1947, Mesquite Club microfilm collection.)&#13;
&#13;
The duties of the president varied during those years. She recalled that “I was janitor, gardener and President.” During the wintertime, she remembered, “you had to have heat [for Friday’s meeting] and I’d go up on Thursday afternoon and light that old oil burning stove and then pray that it didn’t catch the place on fire all night.” She continued her commitment to club work by serving as state secretary for the Nevada Federation of Women’s Clubs. The friendships and cultural events which came from Mesquite Club and Federation membership proved to be of lasting value for this community builder. Audrey Wickman’s oral history was collected as part of the series on women community builders.</text>
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                  <text>Women in Nevada History: A Legacy Digital Project</text>
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              <text>September 17, 2007, September 25, 2010, &amp; October 2, 2007</text>
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              <text>Barbara Agonia was born in St. Louis, Missouri in 1934. She attended Hanover College in southern Indiana, where she spent a year studying abroad at the University of Exeter in Devonshire, England. She graduated Hanover in 1957 with a triple major in English, speech, and theater. Agonia spent her first years out of college teaching high school English, speech, and theater in northern Illinois.&#13;
&#13;
At the age of 35, she decided to pursue a Master’s degree in English. In 1969, she moved to Las Vegas and enrolled in the English Department at UNLV. As Agonia completed her degree in 1971, the community college system in Nevada was emerging and seeking faculty for the new institution. Agonia was among the first eight new faculty members at Clark County Community College, now known as College of Southern Nevada.&#13;
&#13;
In her early years with the college, Agonia did a great deal of public speaking on behalf on the newly formed system, promoting the new institution and reaching out to potential students. At the same time, she taught full course loads in composition and literature, and eventually became chair of the English department.&#13;
&#13;
In the 1980s approached, Agonia became actively involved in rape crisis education, at the urging of Florence McClure. She also helped establish a Women’s Center on the Clark County Community College campus.&#13;
&#13;
In addition to her involvement in and commitment to public education, Agonia has also been involved in the Soroptimist International organization for business and professional women who work to improve the lives of women and girls in local and international communities.</text>
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              <text>&lt;a href="http://d.library.unlv.edu/digital/collection/p17304coll6/id/488" target="_blank" rel="noopener"&gt;Barbara Agonia, “An Interview with Barbara Agonia, an Oral History Conducted by Suzanne Becker” [transcript], Las Vegas Women Oral History Project (2007, 2010), Special Collections and Archives, University of Nevada, Las Vegas.&lt;/a&gt;</text>
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                <text>&lt;p&gt;This resource is available for education and research purposes. This collection is a collaboration and combination of various projects including, but not limited to; the Women in Nevada History: A Legacy Digital Project, the &lt;a href="https://www.library.unlv.edu/speccol/collecting_strengths/nwa" target="_blank" rel="noopener"&gt;Nevada Women’s Archives&lt;/a&gt;, the &lt;a href="https://www.unlv.edu/wrin/research" target="_blank" rel="noopener"&gt;Las Vegas Women Oral History Project&lt;/a&gt; and the &lt;a href="http://makersteachingmodules.sites.unlv.edu/makerseries" target="_blank" rel="noopener"&gt;Makers: Women in Nevada History Project&lt;/a&gt;, a co-production of the &lt;a href="https://www.unlv.edu/wrin" target="_blank" rel="noopener"&gt;Women's Research Institute of Nevada&lt;/a&gt; and &lt;a href="https://video.vegaspbs.org/show/vegas-pbs-documentaries/collections/makers-women-nevada-history/" target="_blank" rel="noopener"&gt;VegasPBS&lt;/a&gt;. The text, images, audio and video in this collection are under copyright by different repositories and may not be reproduced without express written consent of the appropriate entities. &lt;span style="text-decoration: line-through;"&gt;&lt;/span&gt;&lt;/p&gt;</text>
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